Not only is Adam Gase allowing Ryan Tannehill to change plays at the line of scrimmage, he’s also permitting him to eliminate plays before the game.“When I think about some of the things that he’s done really well, the fact that he’s open and that he makes suggestions and then if he doesn’t like something, he tells me,” Gase said this week. “That kind of communication is critical because the last thing I want to do is put him in a position to where he doesn’t like what I’m calling but he doesn’t say anything.
“But I haven’t seen that because he’s been pretty forward about things he doesn’t like and sometimes it hurts you when you’re calling plays because you really like something and then he crosses [the play] off and you’re like, ‘Ah!’ You know you felt like you really loved that play; but that’s what you need. You need that kind of dynamic because at least you know every play that’s being called, he’s basically checked his box of, ‘I’m good with it. I understand what I’m supposed to do.’ And when a guy is invested in the process, he wants to make a lot of the things really work well, especially when he gets his type of plays in there.”
• What does Gase think of Tannehill’s accuracy?
“I haven’t seen an issue with that since the beginning,” Gase said. “He’s been accurate. I know we’ve worked on some ball placement things occasionally. Sometimes what happens is just getting your feet right when you’re getting pushed in the pocket to get aligned with your throw, so every once in a while, we’ll have a missed throw.
“When you get some pressure sometimes and you have to slide, you may not be aligned. The one thing I’ve noticed with him, and I think everyone knows this, is that he’s not afraid to hang in there. He’ll have someone barreling down on him and he just stands in there and throws it. Sometimes that can cause inaccuracy. I know there are little things that he likes to work on that makes his ball placement better sometimes, but for the most part, I’ve seen a guy that hits his target a high percentage of the time.”
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